In Paton’s Barn

Posted in: History | 0

London, England and Millarville, Alberta

This painting surfaced when I was writing a blog piece about rescue dogs with barrels around their necks.  The artist is Edwin Henry Landseer.


I used another of Landseer’s paintings when I wrote a blog about polar bears last year.

Man Proposes, God Disposes, (1864).

I decided that if I am going to use his art to illustrate my blogs, I should do some research on Edwin Landseer and give him credit.

By coincidence, I own two images of this majestic elk.  They are on antique signs, hanging on the walls of my shop.


Born in London, Edwin Henry Landseer (1802 – 1873) was a prodigy.  He began painting commercially at 13 years of age; by the time he was 21, Landseer was commissioned to paint portraits of royalty.


Painting royals paid the bills (and obviously enhanced his sex life), but Landseer’s artistic passion was painting animals – dogs and horses in particular.

The Taming of the Shrew caused controversy. A powerful horse laying on straw in a stable, with a young woman resting her head on its flanks, while lightly touching the animal’s head with her hand, was not well received in stodgy old Victorian England.


Landseer survived the scandal.  He went on to earn fame and fortune for his images of dogs, horses, and royals. In 1850 Sir Edwin Landseer was knighted by Queen Victoria.



Edwin Landseer had a complicated mind.  He was artistically gifted, but suffered from recurring bouts of melancholy, hypochondria, and depression, often aggravated by alcohol and drug use. 


Edwin Landseer died in 1873, but his art lives on.

… in Paton’s Barn.



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